Three months after Elon Musk declared that Grok would release a full-length, âÂÂhistorically accurateâ movie version of âÂÂThe Odyssey,â Grok has published a whole seven minutes â what the company is now calling âÂÂEpisode 1 of our Odyssey series.âÂÂ
Musk had previously lashed out at Christopher NolanâÂÂs version of âÂÂThe OdysseyâÂÂàbecause Nolan cast nonwhite and transgender actors. And Nolan is, in many ways, a perfect foil for Musk â while SpaceX and Tesla CEO hypes up data centers in space and posts an unending stream of AI-generated content, Nolan has described himself as âÂÂa techno-skepticâ and said that before AI, heâÂÂd never seen a technology âÂÂso completely rejected by the public.âÂÂÃÂ
And while NolanâÂÂs version of âÂÂThe Odysseyâ certainly used plenty of visual effects, itâÂÂs primarily a feat of practical filmmaking, with a shoot spanning six countries and a cast and crew of thousands. After its release in July, the film became an extraordinary box office success, selling out Imax screenings for months and becoming the likely front-runner at the next Academy Awards.
As for the Grok version of âÂÂThe Odysseyâ (created in collaboration with Wonder Studios and director Dev Walker), well, you can watch for yourself.
IâÂÂll admit itâÂÂs not as spectacularly ugly as IâÂÂd expected, and certainly more impressive than other videos that Musk has posted recently. If I didnâÂÂt know better, there were moments when I might have thought these were real actors sailing across a real sea. And while I canâÂÂt speak to GrokâÂÂs historical accuracy, it does seem that all the characters come in a Musk-approved skin color, while the narrator uses a British accent that will sound familiar to anyone whoâÂÂs played a fantasy video game or watched a generic Hollywood epic from the past 25 years.
What the footage really lacks is any sense of artistry, inspiration, or human interest. The backstory â delivered via the aforementioned voiceover â seems to go on forever, finally giving way to one bearded face after another, each shouting stilted lines that make NolanâÂÂs dialogue sound like Shakespeare.
While a few individual shots might provide a reasonable simulacrum of reality, the whole thing feels completely airless, offering viewers no sense of momentum, no reason to care about anyone or anything on-screen. And where I had no trouble paying attention for the nearly three-hour runtime of NolanâÂÂs âÂÂOdyssey,â I was listlessly checking how much I had left before the Grok version was even halfway through.
ItâÂÂs hard to imagine being interested in another seven minutes of this, much less a full movieâÂÂs worth.
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