Star Solid: Kajol, Ronit Roy, Indraneil Sengupta, Kherin Sharma
Director: Vishal Furia

What’s Good: Kajol as Maa and the technical features.
What’s Dangerous: The important second half is mediocre, and stretched as properly.
Lavatory Break: The second half really has just a few areas for that!
Watch or Not?: Horror freaks can watch it, ditto Kajol followers.
Language: Hindi
Accessible On: Theatrical launch
Runtime: 135 Minutes
Consumer Score:
The story of Maa is ready in a small village in West Bengal. Shuvankar (Indraneil Sengupta) and Ambika (Kajol) reside a contented life within the metropolis with daughter Shweta (Kherin Sharma). Shweta insists on visiting her father’s ancestral village through the holidays, however Shuvankar isn’t eager. The mother and father talk about this privately and are available to the conclusion that in the end, Shweta should know the ‘reality’ of why they haven’t taken her there—ever.
That evening, Shuvankar involves know that his father had handed away. He leaves instantly at midnight, and after the final rites are executed, he requests household buddy Joydev (Ronit Roy) to discover a dealer and unload their huge haveli (mansion) as he doesn’t just like the vibe. On the best way again (once more at useless of evening) in his automobile, evil spirits encompass him and he’s burned alive.
Three months later, Joydev requests Ambika to return to the city to satisfy a dealer, and Shweta insists that she come alongside. As quickly as they enter the village, Ambika sees an phantasm of her husband and nearly loses management of her automobile. Shweta screams a warning, and their servant couple’s daughter, Deepika (Rupkatha Chakraborty), escapes being harm. Ambika and Deepika quickly change into mates, however Deepika’s mom, Nandini (Surjasikha Das), will not be pleased with this as she would fairly that Ambika and Shweta go away. Her husband, Bikash (Gopal Singh), calms her.
Throughout their go to, Ambika involves know that the native Kali Maa temple has been locked for over 40 years. A tree that Shuvankar and she or he knew about as haunted has been inexplicably drawn on paper by Shweta. Ambika tells Shweta to not go wherever with out telling her, however Deepika and Shweta secretly go to see the tree. The identical evening, Deepika goes lacking.
Lastly, Ambika tells Shweta the ominous legend of Goddess Kali and the demon Raktbeej. Each drop of Raktbeej’s blood that falls on the bottom offers delivery to a brand new rakshas—it is a perception well-known in Bengal. After which it’s time for Shweta to be ‘kidnapped’ like many different ladies within the city. And sure, Raktbeej, who has been destroyed by Maa Kali, has a successor, and he resides in the identical tree. He needs to impregnate a lady who will give delivery to his inheritor!


Maa Film Evaluation: Script Evaluation
The script is tight within the first half, which supplies rise to the hope that we’re in for a unique and gripping horror expertise round an intimate and loving household, a la Ajay Devgn’s earlier horror drama manufacturing, Shaitaan. However after the interval, logic (even the fantasy one related to the supernatural style!) goes out of the window.
There’s loads of brouhaha across the first menstrual durations of pubertal ladies, and this hyperlink with ‘impregnation’ turns into laughable as no girl can biologically conceive throughout that part! Additionally, the premise behind a creature abducting such ladies after which returning them in just a few days in a method that they’ve stopped having their month-to-month cycles with out being pregnant is laughable.
Within the climax, Ambika is suffused with Maa Kali’s power (as she has reopened the temple and performed a puja), however remains to be overwhelmed and banged in opposition to timber and on the bottom by the spirit, and nonetheless will get as much as combat! Why the servant’s father, Bimal (Dibyendu Bhattacharya), out of the blue begins speaking after years and can be murdered (no spoiler there) a short time later, is one thing probably not defined convincingly. The core story of the curse in town and the Shuvankar household nearly reaches absurd lengths after the evil pressure is destroyed, and this last sequence between Ambika and Shweta and its idea is ridiculous to the acute.
Shockingly, Saiwyan Quadras, who has written nice scripts like Mary Kom, Neerja, Parmanu: The Story of Pokhran, and Maidaan within the latest previous, is credited with the story and screenplay.
Maa Film Evaluation: Star Efficiency
Kajol offers an excellent efficiency because the harangued mom and decided girl who will combat for what is true. With out her, this film would have been a shipwreck! Kherin Sharma as her daughter is alright, however it’s Rupkatha Chakraborty who shines as Deepika. The supporting actors are first rate, with Dibyendu having a talented cameo as Bimal. Indraneil Sengupta is competent as Shuvankar, and Ronit Bose Roy because the sympathetic and supportive Joydev shines. Surjasikha Das and Gopal Singh are competent.


Maa Film Evaluation: Route, Music
Having directed mediocre horror tales just like the Chhorii franchise, I didn’t have nice expectations from director Vishal Furia. Nonetheless, he may have exerted himself (with Qaudras) when he had a giant setup and a mega-star like Kajol, who has mentioned that she has been a giant fan of mythological tales, particularly that of Raktbeej and Maa Kali. This movie depends extra on VFX and the same old tropes to attempt to create horror that isn’t in any respect scary.
The songs are forgettable, come Shreya Ghoshal or Usha Uthup in her first movie in 18 years after Hattrick. Amar Mohile’s background rating is satisfactory.


Maa Film Evaluation: The Final Phrase
This one’s for hard-boiled horror followers solely. And for Kajol’s admirers. However given her powerhouse prowess as an actress, I might positively now need her to do movies which have extra strong content material in them than simply her personal impeccable performances!
Two and a half stars!
Maa Trailer
Maa launched on twenty seventh June, 2025.
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Should Learn: Sitaare Zameen Par Film Evaluation: Aamir Khan & His Workforce Of “Sitaare” Left Me With Blissful Tears, Take A Bow – RS Prasanna!
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